This past weekend, the Theatre Count group opened its production The Red Pen Series, written by Sarah Currie and Zach Closs and directed by Sam Lee. The show, which played in Theological Hall, consisted of two half-hour original one act plays connected by the common theme of authorship and writing.
Given...
After Vogts A, B and C this year, it’s clear the four mini plays of Vogt aren’t meant to make sense.
But they still create an enjoyable performance.
In Vogt’s Characters, the dissimilar characters brought together include a Greek muse, two Taliban soldiers, a gorilla and two farmers.
The first play,...
When you’re gone, what do you leave behind?
It’s an age-old question repositioned in a gritty and intimate enactment of Martin McDonagh’s The Pillowman, by Queen’s Vagabond.
The show has a boldly perverse plot in which Katurian — a writer of gruesome short stories, which depict the murders of children...
Don’t be fooled by the petals; underneath the magnolia flower is a heart of strength.
And the all-female cast of 5th Company Lane’s production of Steel Magnolias live up to the title’s implications.
Set in Louisiana in the 1980s, Steel Magnolias takes place in a beauty salon where a group of six women...
Biblical verses aren’t always at the top of the list for curse words. Yet, it was such oddities that made Blue/Orange make sense.
The setting of the play, written by Joe Penhall, is a psychiatric hospital where two doctors argue over the best treatment for a patient who might be schizophrenic.
These...
An axe murder will certainly keep you up at night.
With just enough discomfort and fright in Blood Relations to supply my upcoming nightmares, I won’t be able to forget the cast’s faces in a hurry.
The drama department’s production of the thrilling mystery sets the stage introducing the story of Lizzie...
Who doesn’t love it when the geek gets the girl?
For such an awkward individual, Valentin Sapunov seems to get all the attention.
Brand new group Imaginary Theatre Company presents the original musical The Ballad of Valentin Sapunov as its first production.
The musical follows kind, quirky scientist...
Hearing the words “I hate theatre,” isn’t something you’d expect during the opening minutes of a play.
But when it happened, I couldn’t help but think I might be in for a bumpy evening of performance theatre.
Nervously, I watched as the opening minutes of The Drowsy Chaperone continued.
Laden with...
Watching the audience can sometimes be just as satisfying as watching the stage.
That’s why Domino Theatre’s production of The Last Romance was a pleasure to watch in more ways than one.
It tells the story of a feisty 80-year-old who finds love again after the death of his wife.
With only four characters...
Ambition can lead to the ruin of many, as suggested by the plot of Shakespeare’s Macbeth.
But Vagabond Theatre’s production of the play doesn’t fall to the same fate.
While many Shakespearean plays become victim to a director’s excessive aspirations, this particular show depicted the production as...
Intrigue and mystery surround all of Agatha Christie’s works and The Mousetrap is no different.
The popular play, which has been continuously revamped since its premiere 60 years ago, is given a new home by Kingston’s Domino Theatre. This particular version of the play felt like a homage to the thrilling,...
Bloody handprints grab at railings; scuffmarks colour doors grey. In a way, the bare set forewarns us of the apocalyptic tale to come.
Night of the Living Dead, originally a 1968 feature film adapted for stage, is in its third production by King’s Town Players.
The show makes its first impressions...
Seven strangers locked in a Pennsylvania farmhouse fight off a pack of flesh-eating zombies in King’s Town Players remake of the 1968 movie, Night of the Living Dead.
It’s the production company’s second year putting on the play, after director Clayton Garrett felt last year’s production didn’t live...
Set aside any preconceived ideas about I, Claudia — a one-woman show with Michelle Polak using masks to play four characters. You’ll want the full 90 minutes to figure out how she does it.
The one-act play follows the 12-year-old Claudia, who’s struggling with her parents’ divorce. The play exposes...
Blue Canoe Productions never put on a play using expletives. like “fuck.” Then they picked Glengarry Glen Ross.
Over half of the company’s previous 14 plays have been musicals, including Guys & Dolls. A Youtube trailer for Blue Canoe’s Glengarry Glen Ross ends with a warning.
Third-year Queen’s...
Resist the urge to whisper questions to your neighbour during The Mystery of Irma Vep, as constant confusion is as much a part of the production as humour and playfulness.
Despite the unexplained forays from Victorian mansions to ancient Egypt, the King’s Town Players’ production of The Mystery of...