Tag: Vogt

Honesty on stage

Vogt’s own brand of light-hearted comedy shines in their second installment of the year, Vogt Biographies. The production is comprised of a series of intimate biographies dealing with love, finding yourself and fighting against expectations. These four one-act plays, Voice of an Angel, Shaifta, The...

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A cohesive energy

It’s dynamic and behaviours change scene-to-scene. This year’s Vogt B performance brought the same elements as the earlier Vogt A – four mini-plays having little in common besides a stage. The four sections of Vogt’s Behaviours attempt to address different behaviours in theatre, from anger to love...

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Vogt C shapes up

It’s the circle of Vogt, and it moves us all. As soon as audiences walk through the doors to the theatre they’ll know why the third and final instalment of this year’s Vogt studio series is titled Vogt comes full Circle. Vogt C takes on the challenge of performing in the round — the actors are surrounded...

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Horror, humour and headless royals

This week, Vogt gets spooky. Vogt gets Buried is the second instalment of the annual three-part Vogt series. But Vogt B features a vastly different feel from the provocative comedies of November’s Vogt, got funny, A. “It’s different from past Vogt shows because — it’s a tonal thing,” finance producer...

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Vogt A plays get provocative

This year Vogt gets funny, tackling themes of religion and homosexuality through mature and irreverent comedy. Vogt’s first production of the year, Vogt, got funny, A? is made up of four one-act plays. Web Confessional, The Badger and the Star, Jimmy the Antichrist and Venerating Pablum tackle a wide...

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